In the studio the painting surface is an ambiguous, poetic terrain – a map of endless possibilities.
Images, like words, invite us to think silently. The silent dialogue with the work makes space so that the language of painting can be herd.
Slowly, beyond the interaction of materials, deep inner patterns of meaning are revealed.
Slowly, the image arrives and the painting declares itself. On good days you discover a new content.

Katja Jacobs, 2004